When it comes to storytelling, there are many techniques that writers use to engage their audience. One such technique is breaking the third wall. But what exactly does it mean to break the third wall? And what are the other walls in storytelling? In this article, we’ll explore the concept of breaking the third wall, its impact on storytelling, and the other walls that writers use to create compelling narratives.
What is the Third Wall?
In traditional theater, there are three walls: the left, right, and back walls of the stage. The fourth wall is an imaginary wall that separates the audience from the action on stage. Breaking the fourth wall occurs when a character speaks directly to the audience or acknowledges their presence. Breaking the third wall, on the other hand, occurs when a character steps out of the story to comment on the events taking place.
Breaking the third wall is a metafictional technique that blurs the line between the fiction and the real world. It forces the audience to question their role in the story and breaks the illusion of a seamless narrative. This technique is often used for comedic effect, but can also be employed to create a sense of intimacy between the audience and the characters.
How does Breaking the Third Wall Affect Storytelling?
Breaking the third wall can have a powerful impact on the audience. By acknowledging their presence, the characters invite the audience to participate in the story. This can create a sense of camaraderie and empathy, as the audience identifies with the characters on stage. It can also give the audience a sense of empowerment, as they become active participants in the story rather than passive observers.
Breaking the third wall can also be used to create a sense of irony or satire. By commenting on the events of the story, the characters can draw attention to the absurdity or hypocrisy of the situation. This can be a powerful tool for social commentary, as writers use humor to highlight important issues.
However, breaking the third wall can also be jarring for some audiences. It can disrupt the narrative flow and make it difficult for the audience to suspend their disbelief. It can also detract from the emotional impact of the story, as the audience is reminded that they are watching a work of fiction rather than experiencing real events.
What are the Other Walls in Storytelling?
The First Wall
The first wall is the wall that separates the audience from the stage. This barrier creates a sense of distance between the audience and the action, making it easier for them to suspend their disbelief and enter into the fictional world.
The Second Wall
The second wall is the wall that separates the characters from the audience. This wall creates a sense of detachment between the characters and the audience, allowing the audience to observe the events of the story without becoming emotionally involved.
The Fourth Wall
The fourth wall is the imaginary wall that separates the audience from the action on stage. This wall creates the illusion of a self-contained fictional world, allowing the audience to become fully immersed in the story.
The Fifth Wall
The fifth wall is a relatively new concept that refers to the digital divide between the audience and the storyteller. In the age of social media, audiences have the ability to interact with writers and performers in real-time, breaking down the barrier between the creator and the consumer.
Conclusion
Overall, breaking the third wall is a powerful technique that can have a significant impact on storytelling. By inviting the audience to participate in the story, writers can create a sense of intimacy and empathy that draws the audience deeper into the narrative. However, it is important to use this technique judiciously, as it can be jarring for some audiences and detract from the emotional impact of the story. By understanding the different walls in storytelling, writers can craft compelling narratives that fully engage their audience.
References
- Willimon, B. (2019). ‘House of Cards’ Creator Beau Willimon on Breaking the Fourth Wall. Variety. Retrieved from variety.com/2019/tv/awards/house-of-cards-creator-beau-willimon-breaking-the-fourth-wall-1203319744/.
- Sontag, S. (1964). Notes on ‘Camp’. Partisan Review, 31(4), 515-530.
- Shakespeare, W. (1603). Hamlet. Act 1, Scene 5.